Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat.

Neo-Impressionism, movement in French painting of the late 19th century that reacted against the empirical realism of Impressionism by relying on systematic calculation and scientific theory to achieve predetermined visual effects.

Neo-Impressionism, based on the science of optics and color, forged a new technique of painting led by Seurat and Signac, and included Van Gogh, and Pissarro.

Neo-Impressionism, literally “new Impressionism,” was an avant-garde art movement that fell under the larger Post-Impressionism umbrella. It emerged in reaction to what was viewed as the overly free and spontaneous painting practices of the Impressionists and rooted itself in a methodical and scientific approach.

Neo-Impressionism is a term applied to an avant-garde art movement that flourished principally in France from 1886 to 1906. Led by the example of Georges Seurat, artists of the Neo-Impressionist circle renounced the random spontaneity of Impressionism in favor of a measured painting technique grounded in science and the study of optics.

2022年9月1日 · Neo-impressionism is a style of painting that emerged during the late 19th and early 20th century. It was a smaller off-shoot of Impressionism, and the two styles share many similarities, such as an interest in the depiction of light, and the observation of everyday life.

More broadly, the Neo-Impressionist desire to conform art-making to universal laws of perception, color, and expression echoes throughout Modernism, in movements as diverse as Symbolism, …

2024年6月12日 · Neo-Impressionism emerged in the late 19th century and rejected the spontaneous brushwork of Impressionism in favor of a more structured approach to creating paintings; it used a methodical technique known as Pointillism or Divisionism, which involved the application of thousands of tiny dots.

Neo-impressionism is the name given to the post-impressionist work of Georges Seurat, Paul Signac and their followers who, inspired by optical theory, painted using tiny adjacent dabs of primary colour to create the effect of light.

Neo-impressionism was a movement in painting that appeared in France in the late nineteenth century as a reaction to the spontaneity of Impressionism. It was led by Georges Seurat (1859-1891), the initial theorist of the movement, and Paul Signac (1863-1935), its leading spokesman.